Global Ear on Jerusalem
Die Welt hören – zum Beispiel Lagos
Der Soundtrack zum amerikanischen Nation Building
Das akustische Archiv der Schweiz
Fanfaren und Lichtgewitter aus Kadebostan
Flying Violonist
Louis M. Gottschalk und der Karibismus
Der Planet der Welttraumforscher
Der schmale Grat zwischen M.I.A. und Dschinghis Khan
Five Video Clips from Afghanistan
Dem Blattgrün Töne entlocken
Die körperliche Heftigkeit von Joke Lanz
Indians in Pedestrian Zones
The Power of Pleasure
Research
1+1=5 Tracks from Lomé: «Wake Up»
David Toop – the Posthuman Composer
Facing Fear with Siavash Amini
Everybody Has a Voice: Audrey Chen
Sampling Stories Vol. 15: Eduardo Navas
Lost and Found Folklore
Reckoning
Sculptor of Affect: Tim Hecker
Country Music in Africa
Dancing in the Church: Religion in Ghana
A Matter of Representation – Documenting Ghanaian Artists
Sampling as Satire: The Medium Shakes the Message
If Women Ruled the World in Ghana
The Need to Be Seen
Fixing Worlds: Artistic Activism from a Global Perspective
Building Kinder Worlds – Mental Health in Ghana
Arbiters of Taste: Poptimist Sampling in Experimental Club Music
Blending Music and Politics at the Margins of Beirut
Recovering Sample Authorship: The Case of Sohan Lal
Dancing to Colonial Archives
Sampling Between Safeguarding and Renovating
Complicating Critique
The Learning Process of Sampling
Sampling the Sacred in House Music
Sound Collage as Political Chronic
The Politics of Sample Chopping in Belo Horizonte
The Material Politics of Techno Punk
Sampled Identity: Smartphone as a (Re)source
Cut-Up as Political Practice
The Politics of Sampling in the Age of Machine Learning
Sounding the Afterglow
Ain’t Nothing Wrong (With Political Dance Music)
Sampling Sounds of War
A Viral Horn for the Global Village
Sounding Indigenous Imaginaries?
The Indian Side of Sampling
Spreading Cultural Heritage Through Remix and App Technology
Pushing Critical Thought: Sampling Politics Today
Nairobi’s Next Generation Music Producers and Performing Artists Speak Out
«Yarmouk Is Missing You, Brother»
Less Reality, More Fiction
The Impossibility of «German» Music
2:36 PM Nairobi