«Ohrwurm» or «Earworm» – usually used to describe a song torturously stuck in your head. But what about those of us who yearn for this? All I do is listen to one song over and over again, for weeks on end. Is this a happily welcomed, disassociated kind of relief from reality
In this essay, the diasporan writer Shayan reflects on the sounds of the Iranian revolutions, from the delicate stories of his family’s past to the brutal videos circulating in the aftermath of the murder of Jina Mahsa Amini in September 2022.
Improvising with machines. Listen to an audio essay featuring Brenna Murphy and Birch Cooper from the duo MSHR, in which they discuss their sound installation at Klangmoorschopfe 2023 based on a cybernetic feedback system.
A selection of recent releases from Kampala’s prospering underground music scene, including artists from the corresponding TIMEZONES episode.
An introductory note to the third edition of Norient City Sounds moored in Delhi, India. This collection tunes into a polyphony of voices, songs, sounds, and stories that reimagine and «unconceal» the many worlds and characters constituting the capital’s «sonicities».
Kashmiri artist/writer Anis Wani renders his conversations with musician Ahmad Parvez and visual artist Malik Irtiza into graphic panels that talk about silences, listening, music, acoustic memories, growing up in a contested territory, and the violence of «city sounds».
A sound collage excerpted from an audio-visual game that the artist is designing in an attempt to reconstruct erased narratives from school history textbooks across India and facilitate a discussion on censored histories.
How can one think about city sounds without taking into account the sounds that have been silenced by the state? This question underscores the essay by Natasha Narwal and Devangana Kalita as they contemplate the sound of time spent in unjust incarceration by the state.
A story-telling session that renders Rashid Jahan’s short story, «Dilli Ki Sair» (A journey through Delhi), into a sound work. Written in 1932, the narration relocates it to a contemporary context where the times have changed, yet also not.
In this video essay, Kimberley Rodrigues reflects on feelings of belonging and identity through the acoustic memories, distinct tastes, sight, and smells of C.R. Park, a unique neighborhood in Delhi, India, a place that she calls home.
